| "A Legal Matter" | ||||
|---|---|---|---|---|
Dutch picture sleeve | ||||
| Single by the Who | ||||
| from the album My Generation | ||||
| B-side | "Instant Party" (UK) | |||
| Released |
| |||
| Recorded | 12–13 October 1965 | |||
| Studio | IBC, London | |||
| Genre | ||||
| Length | 2:54 | |||
| Label | Brunswick (UK) | |||
| Songwriter | Pete Townshend | |||
| Producer | Shel Talmy | |||
| The Who singles chronology | ||||
| ||||
"A Legal Matter" is a song written by Pete Townshend and recorded by the English rock band the Who for their debut album My Generation. It was recorded on 12 October 1965 at IBC Studios, and released both as the B-side to "The Kids Are Alright" in the U.S., and as the A-side of a single that reached number 32 in the UK. Both singles were released by Shel Talmy without the permission of the Who and were a result of a legal dispute between Talmy and the band at the time and an attempt to sabotage the release of the band's chosen single "Substitute".[2][3]
Composition
The subject of the song is fear of commitment and it marks the first time Townshend sang lead vocals, rather than Roger Daltrey, possibly because the song was too close to home for Daltrey who was divorcing his wife at the time.[2] Who biographer John Atkins describes Townshend's voice on the song as being higher and less abrasive than Daltrey's.[4] But Rolling Stone critic Dave Marsh thinks that although the vocal has some charm, it does not suggest that Townshend's voice would be good enough to be the band's full-time lead singer.[5] Author Mike Segretto describes the vocal as a "noncommercial adenoidal croon".[6] According to Allmusic critic Stewart Mason, "adenoidal whine actually makes the singer sound like he's sneaking out in the dead of night, scared to death that his wife's going to catch him."[1]
Atkins describes the three-note guitar figure used in the introduction to the song as being "memorable and catchy".[4] He states that the song incorporates a "short, jolting rhythm" similar to that on their more famous song "My Generation".[4] Steve Grantley and Alan G. Parker state that "the band sound like they have been let off the leash and really let rip to create another early classic".[7] Segretto describes the melody as being "excellent".[8] Nicky Hopkins joins the band on piano, and Segretto claims that his "hyper piano runs contribute much amphetamine fuel to the song".[4][9]
Atkins also notes the "ironic humour" of the song.[4] Mason also finds the song "funny".[1] Segretto points out that the lyrics are surprisingly sexist coming from Townshend but that is softened by the "playful tone and cute lines like 'Just wanna keep on doing all the dirty little things I do".[8] According to Townshend, the song "is about a guy on the run from a chick about to pin him down for breach of contract. What this song was screaming from behind lines like 'It's a legal matter, baby, marrying's no fun/It's a legal matter, baby, you got me on the run' was, "I'm lonely, I'm hungry, the bed needs making'. I wanted a maid, I suppose".[8] Marsh suggests that the protagonist really doesn't want to marry because "he's terrified of discovering who he really is (boring, middle-class and conventional)".[8]
Reception
Several commentators noted an influence from the Rolling Stones on this song, particularly their song "The Last Time".[2][1][7] For example, Segretto states "A Legal Matter" has "a nagging, droning riff that may share DNA with 'The Last Time.'"[9] Mason states that the song "proves conclusively that Pete Townshend was working on a different plane than just about every other songwriter in London in 1965."[1]
Charts
| Chart (1966) | Peak
position |
|---|---|
| Australia (Kent Music Report)[10] | 83 |
| Netherlands (Veronica Top 40)[11] | 22 |
| Netherlands (Single Top 100)[12] | 20 |
| UK (Disc and Music Echo)[13] | 34 |
| UK (Melody Maker)[14] | 32 |
| UK (Record Retailer)[15] | 32 |
References
- Mason, Stewart. "A Legal Matter Review by Stewart Mason". AllMusic. Archived from the original on 1 February 2018. Retrieved 23 June 2016.
- Charlesworth 1995, p. 6.
- Marsh 1983, pp. 203, 205.
- Atkins 2000, p. 57.
- Marsh 1983, p. 193.
- Segretto 2014, pp. 77–78.
- Grantley & Parker 2010, pp. 24–25.
- Marsh 1983, p. 196.
- Segretto 2014, p. 78.
- Kent 2005, p. 280.
- "A Legal Matter" (in Dutch). Dutch Top 40. Archived from the original on 7 February 2026. Retrieved 2 May 2026.
- "The Who - A Legal Matter" (in Dutch). Single Top 100. Archived from the original on 20 December 2021. Retrieved 2 May 2026.
- Anon. (23 April 1966). "Top 50" (PDF). Disc and Music Echo. p. 3. Archived (PDF) from the original on 3 February 2025. Retrieved 2 May 2026 – via WorldRadioHistory.
- Anon. (16 April 1966). "Pop 50" (PDF). Melody Maker. p. 2. Archived from the original (PDF) on 21 December 2024. Retrieved 2 May 2026 – via WorldRadioHistory.
- "A Legal Matter by Who". Official Charts Company. Archived from the original on 3 November 2023. Retrieved 2 May 2026.
Sources
- Atkins, John (2000). The Who on Record: A Critical History (1st ed.). United States: McFarland & Company. ISBN 0-7864-0609-7 – via Internet Archive.
{{cite book}}: CS1 maint: url-status (link) - Charlesworth, Chris (1995). The Complete Guide to the Music of the Who. United Kingdom: Omnibus Press. ISBN 0-7119-4306-0 – via Internet Archive.
{{cite book}}: CS1 maint: url-status (link) - Grantley, Steve; Parker, Alan G. (2010). The Who by Numbers. United Kingdom: Helter Skelter Publishing. ISBN 978-190-513-926-2.
- Kent, David (2005). Australian Chart Book 1940–1969. Australia: Australian Chart Book. ISBN 0-646-44439-5.
- Marsh, Dave (1983). Before I Get Old: the Story of the Who. United States: St. Martin's Press. ISBN 0-312-07155-8 – via Internet Archive.
{{cite book}}: CS1 maint: url-status (link) - Segretto, Mike (2014). The Who FAQ: All That's Left to Know About Fifty Years of Maximum. United Kingdom: Backbeat Books. ISBN 978-1-480-3610-34.