| Mallinatha | |
|---|---|
19th Tirthankara | |
Idol of Mallinatha in female form at Keshavrai Patan, Rajasthan | |
| Venerated in | Jainism |
| Predecessor | Aranatha |
| Successor | Munisuvrata |
| Symbol | Kalasha[1] |
| Height | 25 dhanusha (75 meters) |
| Age | 56,000 |
| Color | Blue |
| Gender | Male (Digambara)
Female (Shvetambara) |
| Genealogy | |
| Born | |
| Died | |
| Parents |
|
| Dynasty | Somavaṁśa—Ikṣvākuvaṁśa |
| Part of a series on |
| Jainism |
|---|
Mallinatha (Prakrit Mallinātha, Devanagari: मल्लिनाथ, Sanskrit: मल्लिनाथः, 'Lord of jasmine or seat') was the 19th tīrthaṅkara "ford-maker" of the present avasarpiṇī age in Jainism.
In Jain history


Jain texts indicate Mālliṇātha was born at Mithila into the Ikshvaku dynasty to King Kumbha and Queen Prajnavati. Their height is mentioned as 25 dhanusha.[2] Tīrthaṅkara Māllīnātha lived for over 56,000 years, out of which 54,800 years less six days, was with omniscience (Kevala Jnana).[3] They were said to have lived for 55,000 years by other authors.[2]
Mallinatha is believed to be a woman named Malli Devi by Shvetambara Jains while the Digambara sect believes all 24 tirthankara to be men including Māllīnātha. Digambara tradition believes a woman can reach to the 16th heaven and can attain liberation only being reborn as a man. Digambara tradition says Mallinatha was a son born in a royal family, and worships Mallinatha as a male.[4][5] However, the Shvetambara tradition of Jainism states that Māllīnātha was female with a name Mallivati.[6][7]
According to Jain beliefs, Mālliṇātha became a siddha, a liberated soul which has destroyed all of its karma.[8]
Mallinatha is said to have been born 1,000 crore less 6,584,000 years after their predecessor, Aranatha.[2] Their successor, Munisuvrata, is said to have been born 54 lakh years after them.[2]
Sectarian dispute on gender
The gender of Mallinatha constitutes one of the most fundamental theological divisions between the two major Jain sects.[9] The Śvētāmbara tradition firmly maintains that Mallinatha was a woman named Mallī.[10] According to Śvētāmbara texts, in a previous incarnation as a king named Mahabala, Mallinatha engaged in deceit (maya) by secretly outperforming friends in ascetic fasting.[11] This karmic deceit resulted in rebirth with female physiology (stri-veda), while the simultaneous accumulation of immense spiritual merit (tirthankara-nama-karma) resulted in the destiny of a tirthankara.[12] The Śvētāmbara sect heavily utilizes this narrative to assert that women are fully capable of attaining ultimate spiritual liberation (moksha).[13]
Conversely, the Digambara tradition vehemently rejects this narrative, asserting that Mallinatha was male.[14] Digambara theology dictates that complete non-attachment (aparigraha) requires absolute monastic nudity, a practice strictly prohibited for women in traditional Jain monastic codes.[15] Consequently, Digambara scholars argue that female biology and societal restrictions inherently prevent the attainment of the final stages of spiritual purity, making a female tirthankara an ontological impossibility.[16] Therefore, Digambara texts, universal histories, and iconography consistently depict Mallinatha as a male figure.[17]
Literature
- Jnatrdharmakathah gives the story of Lord Mallinath, which is said to be composed by Ganadhara Sudharmaswami.
- Mallinathapurana was written by Nagachandra in 1105 CE.[18]
Main temples
Mallinatha is highly venerated by both major Jain traditions, resulting in the construction of numerous historically and architecturally significant temple complexes across the Indian subcontinent.[19] In South India, the Mannargudi Mallinatha Swamy Jain Temple in Tamil Nadu stands as one of the most prominent historical shrines dedicated to this specific tirthankara.[20] Constructed during the era of the Chola Empire, this ancient temple features classic Dravidian architecture and serves as a crucial religious center for the regional Tamil Jain community.[20] Further west in Karnataka, the Chaturmukha Basadi in Karkala is a renowned late 16th-century stone monument.[21] Completed in 1586 CE, this symmetrical, four-faced temple prominently enshrines life-size idols of Mallinatha alongside the tirthankaras Aranatha and Munisuvrata, facing all four cardinal directions.[21][22]
In western India, the Shri Mallinath Jain Derasar located in Bhoyani, Gujarat, operates as a major regional pilgrimage center, particularly for the Śvētāmbara sect.[23] This temple complex houses a highly revered white marble idol of Mallinatha seated in the traditional lotus position (padmasana).[17] According to regional historical records, this primary deity was discovered submerged in a well during the mid-19th century, prompting the immediate construction of the surrounding temple infrastructure to accommodate visiting pilgrims.[17] Additionally, the ancient city of Mithila, traditionally identified in Jain universal history as Mallinatha's royal birthplace, remains a foundational point of sacred geography and a site of continuous devotional reverence.[24]
- Chaturmukha Basadi
- Mannargudi Mallinatha Swamy Temple
- Mallinath Temple, Kosbad
See also
References
Citations
- Tandon 2002, p. 45.
- Finegan 1952, p. 190.
- Vijay K. Jain 2015, p. 203.
- Dundas 2002, p. 56.
- Umakant P. Shah 1987, pp. 159–160.
- Vallely 2002, p. 15.
- Vyas 1995, p. 19.
- Jaini 1998, p. 40n.
- Dundas 2002, p. 49.
- Jaini 2018, p. 1.
- Jaini 2018, p. 14.
- Dundas 2002, p. 50.
- Vallely 2002, p. 11.
- Jaini 2018, p. 3.
- Dundas 2002, p. 55.
- Jaini 2018, p. 32.
- Umakant P. Shah 1987, p. 156.
- Ashton 1976, p. 20.
- Dundas 2002, p. 40.
- Titze & Bruhn 1998, p. 122.
- Michell 1990, p. 320.
- Sandhya, C D’Souza (19 November 2010), Chaturmukha Basadi: Four doors to divinity Last updated, Deccan Herald
- Cort 2001a, p. 145.
- Natubhai Shah 2004, p. 16.
Sources
- Dundas, Paul (2002) [1992], The Jains (Second ed.), London and New York: Routledge, ISBN 0-415-26605-X
- Cort, John E. (2001a), Jains in the World : Religious Values and Ideology in India, Oxford University Press, ISBN 978-0-19-513234-2
- Finegan, Jack (1952), The archeology of world religions, Princeton University Press
- Johnson, Helen M. (1931), Mallināthacaritra (Book 6.6 of the Trishashti Shalaka Purusha Caritra), Baroda Oriental Institute
- Jain, Vijay K. (2015), Acarya Samantabhadra's Svayambhustotra: Adoration of The Twenty-four Tirthankara, Vikalp Printers, ISBN 978-81-903639-7-6, archived from the original on 16 September 2015,
This article incorporates text from this source, which is in the public domain. - Jaini, Padmanabh S. (1998) [1979], The Jaina Path of Purification, Delhi: Motilal Banarsidass, ISBN 81-208-1578-5
- Jaini, Padmanabh S. (2018) [1991], Gender and Salvation: Jaina Debates on the Spiritual Liberation of Women, University of California Press, ISBN 978-0-520-30296-9
- Michell, George (1990), The Penguin Guide to the Monuments of India, vol. 1, Penguin Books, ISBN 978-0140081442
- Shah, Natubhai (2004) [First published in 1998], Jainism: The World of Conquerors, vol. I, Motilal Banarsidass, ISBN 81-208-1938-1
- Shah, Umakant Premanand (1987), Jaina-rūpa-maṇḍana: Jaina iconography, Abhinav Publications, ISBN 81-7017-208-X
- Titze, Kurt; Bruhn, Klaus (1998), Jainism: A Pictorial Guide to the Religion of Non-Violence (2 ed.), Motilal Banarsidass, ISBN 978-81-208-1534-6
- Tukol, T. K. (1980), Compendium of Jainism, Dharwad: University of Karnataka
- Vallely, Anne (2002), Guardians of the Transcendent: An Ethnology of a Jain Ascetic Community, University of Toronto Press, ISBN 978-0-8020-8415-6
- Tandon, Om Prakash (2002) [1968], Jaina Shrines in India (1 ed.), New Delhi: Publications Division, Ministry of Information and Broadcasting, Government of India, ISBN 81-230-1013-3
- Vyas, Dr. R. T., ed. (1995), Studies in Jaina Art and Iconography and Allied Subjects, The Director, Oriental Institute, on behalf of the Registrar, M.S. University of Baroda, Vadodara, ISBN 81-7017-316-7
- Ashton, Martha Bush (1976), Yakshagana, Abhinav Publications, ISBN 9788170170471