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Paradisi in Sole Paradisus Terrestris

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Paradisi in Sole Paradisus Terrestris
Frontispiece of 1629 edition
AuthorJohn Parkinson
Publication date1629
OCLC6977113

Paradisi in Sole Paradisus Terrestris is a work of garden writing by John Parkinson, first published in 1629. Regarded as one of, if not the first, literary works on gardening in England, Paradisi covers nearly 1,000 plants and includes over 100 woodcut illustrations. It combines practical gardening advice with remarks on the beauty of gardens. It is divided into sections for different types of gardens—for food, pleasure, and flowers—outlining Parkinson's views on the best ways to design each of them.

Publication

Paridisi was first published in 1629,[1] dedicated to Queen Henrietta Maria.[2] A folio, it runs to 612 pages (not including several indexes).[3] At the time, it was a luxury good; it is lavishly illustrated and far more expensive than other works on gardens available in the contemporary English book market.[4]

Charles I granted Parkinson the title of "botanicus regius primarius" (roughly, the king's botanist) in recognition of the Paradisi.[5]

Contemporary editions were published in 1656, by "R. N.",[6] and 1669, by H. Lownes and R. Young.[7] Methuen published a reprint edition in 1904.[8] Dover published a facsimile in 1976, with 612 pages including illustrations.[9]

Content

Paradisi is one of the first works on British gardening.[10] Its title is an interlingual pun: "paradisi in sole" means "park in sun" ("Parkinson").[11] "Paradisus terrestris", or terrestrial paradise, means the Garden of Eden.[12] Eden gives Paradisi its frontispiece.[13]

The work contains 108 full-page woodcut illustrations of plants that grew in Britain at the time,[14][15] describing almost 1,000 plants in all.[16]

Paradisi is divided into sections for several different kinds of gardens, including the pleasure garden, flower garden, kitchen garden, and orchard garden.[17][14] Parkinson describes the geographic origin of each of the plants to be included in these types of garden and outlines his view of their appropriate order and structure.[12][18] For the orchard garden, the correct order or "Modell" is a quincunx.[12]

Throughout Paradisi, Parkinson refers to his friend John Tradescant. Tradescant's copy of the Paradisi is held at the Bodleian Library. It includes references to plants that Tradescant added to his own garden between 1629 and 1633.[19]

Analysis

Paradisi is neither simply an herbal nor a gardening guide.[20] It is also an aesthetic document that celebrates the beauty of flowers.[21] Its aesthetic focus was a novelty, as gardens were traditionally viewed as either sources of food or medicine but not objects of beauty.[17] The literary scholar Rebecca Bushnell views Paradisi as trying to exceed the boundaries of the herbal genre and itemize plants not (solely) according to practical use, but according to their value as ornament.[22] The historian Jill Francis argues that the work is targeted at an elevated "sort", the gentry, and accordingly develops a hierarchy of plants and types, or designs, of garden.[20]

Despite its focus on beauty, however, Paradisi also acknowledges real-world limitations. Just as people have homes that may not be ideal, the garden attached may also not be a complete aesthetic paragon. Leighton calls Parkinson's down-to-earth pragmatism a "radical departure from the contemporary European standard of excellence in garden design".[23]

Citations

  1. Davis, Richard E. (1986). Treasures at Butler University. Butler University. p. 2.
  2. Horwood, Catherine (2012). Women and Their Gardens: A History from the Elizabethan Era to Today. Ball Publishing. pp. 230–231. ISBN 978-1-61374-337-9.
  3. Bushnell 2018, p. 58.
  4. Francis 2008, pp. 25, 27–28.
  5. Raven, Charles E. (1947). English Naturalists from Neckam to Ray. Cambridge University Press. p. 248.
  6. Sotheby's 1920, p. 26.
  7. Sotheby's 1920, p. 44.
  8. J. B. D (August 1904). "Paradisi in Sole Paradisus terrestris". Nature. 70 (1815): 338–339. Bibcode:1904Natur..70..338B. doi:10.1038/070338a0. hdl:2027/uc2.ark:/13960/t42r3qn3w. ISSN 0028-0836.
  9. Ewan, Joseph (1978). "Review of A Garden of Pleasant Flowers. Paradisi in Sole. Paradisus Terrestris". Economic Botany. 32 (2): 211–212. ISSN 0013-0001. JSTOR 4253940.
  10. Hadfield 1971, p. 24.
  11. Howell 2009, p. 88.
  12. Bartos 2010, p. 180.
  13. Bartos 2010, p. 189.
  14. Howell 2009, p. 114.
  15. Bushnell 2018, p. 59.
  16. Saunders, Gill (1995). Picturing Plants: An Analytical History of Botanical Illustration. Victoria and Albert Museum. p. 104. ISBN 978-0-520-20306-8.
  17. Leighton 1986, p. 149.
  18. Hoeniger, F. David; Hoeniger, J. F. M. (1969). The Growth of Natural History in Stuart England from Gerard to the Royal Society. University of Virginia Press. p. 18. ISBN 978-0-8139-0264-7.
  19. Henrey 1999, p. 166.
  20. Francis 2008, p. 25.
  21. Scott-James 1977, p. 37.
  22. Bushnell 2018, p. 61–62.
  23. Leighton 1986, p. 151.

Works cited

Further reading

  • Francis, Jill (2014). "John Parkinson: Gardener and Apothecary of London". In Francia, Susan; Stobart, Anne (eds.). Critical Approaches to the History of Western Herbal Medicine: From Classical Antiquity to the Early Modern Period. Bloomsbury. pp. 229–246. doi:10.5040/9781474210577.ch-012. ISBN 978-1-4742-1057-7.