| Sanremo Music Festival 1972 | |
|---|---|
| Dates and venue | |
| Semi-final 1 |
|
| Semi-final 2 |
|
| Final |
|
| Venue | Sanremo Casino Sanremo, Italy |
| Organisation | |
| Organiser | Municipality of Sanremo |
| Production | |
| Broadcaster | Radiotelevisione italiana (RAI) |
| Director | Romolo Siena |
| Artistic director | Elio Gigante |
| Presenters | Mike Bongiorno, Sylva Koscina, Paolo Villaggio |
| Vote | |
| Number of entries | 28 |
| Winner | "I giorni dell'arcobaleno" Nicola Di Bari |
The Sanremo Music Festival 1972 (Italian: Festival di Sanremo 1972), officially the 22nd Italian Song Festival (22º Festival della canzone italiana), was the 22nd annual Sanremo Music Festival, held at the Sanremo Casino in Sanremo between 24 and 26 February 1972. It was organised by the municipality of Sanremo and broadcast by Radiotelevisione italiana (RAI). The shows were presented by Mike Bongiorno, Sylva Koscina and Paolo Villaggio. Elio Gigante served as artistic director.
The winning song was "I giorni dell'arcobaleno" written by Nicola Di Bari, Dalmazio Masini and Piero Pintucci, and performed by Di Bari himself, who achieved his second victory in a row at the festival. After Di Bari won the 1971 edition of the show Canzonissima and subsequently became Italy's representative for the Eurovision Song Contest 1972, the song was chosen as his entry for the contest and went on to finish in 6th place.[1][2][3]
It was the first edition to be organised solely by the municipality of Sanremo, who eliminated the double performance rule used continuously since 1957, introduced an electronic voting sequence and became the subject of controversy due to the song selection process.
In January 2022, all three shows were made available by Rai Teche to view on RAI's streaming service RaiPlay.[4]
Format
On 27 December 1971, a resolution was passed by the Sanremo city council to directly assume management of the festival, without the need of a private intermediary as in previous years.[5][6] The council approved a new set of regulations for the 1972 edition, implementing suggestions previously proposed by record companies in meetings with members of the city's administration. An executive committee composed of nine city councillors was created, tasked with organising the event. The regulations stated the competition would contain twenty-eight songs and rid of the double performance rule first introduced in the 1953 edition.[5]
On 8 January 1972, the mayor of Sanremo announced the municipality had chosen Elio Gigante as the festival's artistic director to assist the executive committee.[6][7]
The festival took place between 24 and 26 February 1972 at the Sanremo Casino.[8] The stage was designed by Gian Francesco Ramacci. The design moved the orchestra to the sides of the proscenium, making way for an Eidophor screen in the middle of the stage used during the shows to project the voting sequence and camera shots of artists from different angles and locations within the venue.[9][10][11]
Voting system

A new voting system was implemented for this edition. The vote in each show was conducted by two different juries: a jury representing the twenty regions of Italy and a jury representing three different communities. A computer in Milan was in charge of choosing three hundred telephone numbers in each of Italy's twenty regions following a mathematical formula to draw them at random for each show. The telephone number lists were then sent to editorial offices belonging to eight different newspapers: Il Secolo XIX, Corriere della Sera, Il Piccolo, Il Resto del Carlino, La Nazione, Il Messaggero, Il Mattino, Giornale di Sicilia, as well as the Centro Univac Torino, at which telephone operators called each number and chose fifty people to be jury members for each region. The computer also chose three different communities from a list of two hundred across Italy, including various schools, barracks and retirement homes among others, where another fifty jury members from each community were selected. In the semi-finals, jury members representing both their regions and communities voted for three different songs. For the final, regional jury members were limited to voting for only one song, while communal jury members continued to vote for three songs. A backup jury composed of fifty randomly drawn spectators in the venue was to vote for seven songs during the semi-finals in the event the results from the other two juries were not deemed sufficient in determining the seven finalists.[11][12][13]
For the first time, the voting results in the final were presented sequentially, displayed electronically by a computer and projected onto the Eidophor screen on stage.[4][13]
Competing entries
For the first time, the song selection process for the contest involved inviting artists to submit songs directly.[6] In January, the municipality sent invitations to over 170 artists and received song submissions from over a hundred. A special commission was tasked with selecting twenty-eight for the contest, composed of the journalists Egisto Corradi, Roberto Gervaso and Carlo Mazzarella, the conductors Franco Mannino, Alberto Zedda and Pippo Barzizza, the writer Mario Soldati, the Sanremo minister of tourism Pasquale Lopez, the lawyer Roberto Moroni, record label representatives Aldo Bonomo and Luigi Edgardo Lisi, union representatives Gino Peguri, Benedetto Ghiglia, Mario Colangeli and Eraldo Villa, three members of Sanremo's public and the mayor of Sanremo Piero Parise, who chaired the commission and only voted in the event of a tie.[11] The commission first narrowed down the list of submissions to thirty-two and asked nine other artists with submissions they had rejected to submit a different song, of which eight did.[14][15][16] Another song was added to the list as it had arrived late, and from the forty-one songs, twenty-eight were selected to compete.[16][17] The commission also selected twelve reserve entries at a later date.[17][18]
Contest overview

The contest consisted of two-semi-finals held on 24 and 25 February 1972 and a final held on 26 February. Each night consisted of fourteen songs.[20] A draw took place on 17 February at the Basilica of Sant'Eufemia in Milan, where first rehearsals for the contest were held, to determine the running order for both semi-finals.[21][22]
Competing artists could choose to be accompanied by the orchestra in the venue and with backing vocals provided by the vocal group I Musicals.[13] The shows were presented by Mike Bongiorno, who was assisted by the actress Sylva Koscina, while the actor Paolo Villaggio provided comedic interludes throughout.[11][23] The television production was directed by Romolo Siena.[11]
In all three shows, instrumental recaps of the competing songs were played by the orchestra conducted by French composer Frank Pourcel, between performances during the semi-finals and after all songs had performed during the final. Pourcel also composed the festival's theme song "St. Nicolas".[13][24]
Semi-final 1
The first semi-final took place on 24 February 1972 at 21:15 CET.[20] Fourteen artists performed their songs and seven were selected for the final.[25]
| R/O | Song | Artist | Points | Place |
|---|---|---|---|---|
| 1 | "Ti voglio" | Donatello | 267 | 5 |
| 2 | "Ci sono giorni" | Pino Donaggio | 122 | 13 |
| 3 | "Era bello il mio ragazzo" | Anna Identici | 171 | 8 |
| 4 | "Per amore ricomincerei" | Delia | 66 | 14 |
| 5 | "Jesahel" | Delirium | 240 | 7 |
| 6 | "Un calcio alla città" | Domenico Modugno | 363 | 3 |
| 7 | "Preghiera" | Tony Cucchiara | 164 | 10 |
| 8 | "Il re di denari" | Nada | 513 | 1 |
| 9 | "Montagne verdi" | Marcella | 329 | 4 |
| 10 | "Piazza Grande" | Lucio Dalla | 267 | 5 |
| 11 | "Come le viole" | Peppino Gagliardi | 494 | 2 |
| 12 | "Il mio cuore se ne va" | Carla Bissi | 164 | 10 |
| 13 | "Un gatto nel blu" | Roberto Carlos | 170 | 9 |
| 14 | "Un viaggio in Inghilterra" | I Nuovi Angeli | 130 | 12 |
Semi-final 2
The second semi-final took place on 25 February 1972 at 21:15 CET.[26] Fourteen artists performed their songs and seven were selected for the final.[27]
| R/O | Song | Artist | Points | Place |
|---|---|---|---|---|
| 1 | "Gira l'amore (Caro bebè)" | Gigliola Cinquetti | 329 | 3 |
| 2 | "I giorni dell'arcobaleno" | Nicola Di Bari | 581 | 1 |
| 3 | "Amici mai" | Rita Pavone | 132 | 11 |
| 4 | "Un diadema di ciliegie" | Ricchi e Poveri | 268 | 6 |
| 5 | "Forestiero" | Michele | 161 | 9 |
| 6 | "La foresta selvaggia" | Marisa Sacchetto | 112 | 12 |
| 7 | "Se non fosse fra queste mie braccia, lo inventerei" | Lara Saint Paul | 327 | 4 |
| 8 | "Mediterraneo" | Milva | 239 | 7 |
| 9 | "L'uomo e il cane" | Fausto Leali | 102 | 13 |
| 10 | "Rimpianto" | Bobby Solo | 152 | 10 |
| 11 | "Non voglio innamorarmi mai" | Gianni Nazzaro | 310 | 5 |
| 12 | "Ciao, amico, ciao" | Aguaviva | 55 | 14 |
| 13 | "Vado a lavorare" | Gianni Morandi | 503 | 2 |
| 14 | "Portami via" | Angelica | 166 | 8 |
Final

The final took place on 26 February 1972 at 21:00 CET.[12]
The winning song was "I giorni dell'arcobaleno" performed by Nicola Di Bari, written by Di Bari with Dalmazio Masini and Piero Pintucci. Di Bari had also won the festival in 1971, making him the fourth artist after Nilla Pizzi, Domenico Modugno and Johnny Dorelli to win twice in a row. "Come le viole" performed by Peppino Gagliardi, written by Gagliardi with Gaetano Amendola achieved second place, and "Il re di denari" performed by Nada, written by Claudio Mattone and Franco Migliacci, achieved third place.[8][28] The top three songs were performed again at the end of the show.[13]
"Jesahel" written by Ivano Fossati and Oscar Prudente, performed by the band Delirium, received a prize for the best lyrics among the competing songs. The band also received the Giorgio Berti award given to the best performer.[8]
| R/O | Song | Artist | Points | Place |
|---|---|---|---|---|
| 1 | "Se non fosse fra queste mie braccia, lo inventerei" | Lara Saint Paul | 38 | 13 |
| 2 | "Piazza Grande" | Lucio Dalla | 68 | 8 |
| 3 | "Jesahel" | Delirium | 105 | 6 |
| 4 | "Come le viole" | Peppino Gagliardi | 160 | 2 |
| 5 | "Vado a lavorare" | Gianni Morandi | 139 | 4 |
| 6 | "Un diadema di ciliegie" | Ricchi e Poveri | 57 | 11 |
| 7 | "Mediterraneo" | Milva | 43 | 12 |
| 8 | "I giorni dell'arcobaleno" | Nicola Di Bari | 343 | 1 |
| 9 | "Un calcio alla città" | Domenico Modugno | 28 | 14 |
| 10 | "Montagne verdi" | Marcella | 84 | 7 |
| 11 | "Ti voglio" | Donatello | 63 | 10 |
| 12 | "Gira l'amore (Caro bebè)" | Gigliola Cinquetti | 67 | 9 |
| 13 | "Non voglio innamorarmi mai" | Gianni Nazzaro | 114 | 5 |
| 14 | "Il re di denari" | Nada | 141 | 3 |
| R/O | Song | Campania |
Abruzzo |
Basilicata |
Calabria |
Emilia-Romagna |
Friuli-Venezia Giulia |
Lazio |
Liguria |
Lombardy |
Marche |
Molise |
Piedmont |
Apulia |
Sardinia |
Sicily |
Tuscany |
Trentino-South Tyrol |
Umbria |
Aosta Valley |
Veneto |
22nd Infantry Regiment "Cremona" |
SS. Annunziata State Boarding School |
Italian Naval Academy |
Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | "Se non fosse fra queste mie braccia, lo inventerei" | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 1 | 3 | 1 | 2 | 7 | 6 | 3 | 38 | ||||||||
| 2 | "Piazza Grande" | 2 | 2 | 2 | 1 | 2 | 4 | 1 | 3 | 1 | 3 | 3 | 3 | 3 | 5 | 5 | 3 | 6 | 7 | 12 | 68 | ||||
| 3 | "Jesahel" | 1 | 1 | 1 | 1 | 2 | 3 | 3 | 2 | 3 | 4 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 4 | 7 | 8 | 22 | 28 | 105 | |
| 4 | "Come le viole" | 20 | 7 | 10 | 8 | 3 | 3 | 9 | 3 | 3 | 4 | 12 | 5 | 4 | 6 | 6 | 4 | 6 | 6 | 5 | 5 | 19 | 6 | 6 | 160 |
| 5 | "Vado a lavorare" | 5 | 7 | 3 | 2 | 10 | 5 | 9 | 4 | 9 | 4 | 4 | 3 | 4 | 8 | 4 | 7 | 7 | 4 | 6 | 3 | 15 | 14 | 2 | 139 |
| 6 | "Un diadema di ciliegie" | 1 | 2 | 2 | 2 | 2 | 4 | 1 | 2 | 1 | 4 | 2 | 4 | 5 | 4 | 21 | 57 | ||||||||
| 7 | "Mediterraneo" | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 5 | 2 | 3 | 2 | 1 | 1 | 2 | 3 | 4 | 2 | 1 | 6 | 43 | ||||
| 8 | "I giorni dell'arcobaleno" | 8 | 17 | 16 | 16 | 14 | 14 | 12 | 14 | 10 | 15 | 19 | 12 | 24 | 15 | 11 | 8 | 12 | 12 | 10 | 11 | 29 | 20 | 24 | 343 |
| 9 | "Un calcio alla città" | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 4 | 3 | 1 | 1 | 2 | 1 | 1 | 4 | 2 | 28 | |||||||
| 10 | "Montagne verdi" | 2 | 2 | 2 | 4 | 2 | 4 | 2 | 1 | 4 | 2 | 3 | 1 | 11 | 1 | 1 | 2 | 2 | 1 | 7 | 16 | 14 | 84 | ||
| 11 | "Ti voglio" | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 22 | 14 | 15 | 63 | |||||||||
| 12 | "Gira l'amore (Caro bebè)" | 5 | 2 | 3 | 6 | 5 | 5 | 4 | 2 | 3 | 2 | 2 | 5 | 2 | 3 | 6 | 6 | 3 | 3 | 67 | |||||
| 13 | "Non voglio innamorarmi mai" | 8 | 2 | 1 | 6 | 3 | 2 | 1 | 4 | 4 | 2 | 2 | 4 | 2 | 3 | 4 | 4 | 4 | 3 | 2 | 3 | 13 | 19 | 18 | 114 |
| 14 | "Il re di denari" | 5 | 2 | 9 | 8 | 1 | 5 | 9 | 7 | 8 | 2 | 3 | 7 | 5 | 7 | 5 | 15 | 4 | 4 | 9 | 3 | 12 | 9 | 2 | 141 |
Broadcasts
Local broadcast
The final was broadcast on Programma Nazionale (television) and Secondo Programma (radio) beginning at 21:00 CET,[12] while the semi-finals were broadcast on Secondo Programma (television) and Secondo Programma (radio) at 21:15 CET.[20][26]
International broadcast
Part of the final was broadcast via the Eurovision and Intervision networks in other countries.[8] The festival was reportedly aired by broadcasters in Monaco, France, Germany, Switzerland, Portugal and Greece via Eurovision, in the Soviet Union, East Germany, Poland, Czechoslovakia, Bulgaria and Hungary via Intervision as well as in Venezuela, Peru, Mexico and Canada.[8][13][27] Known details on the broadcasts in each country, including the specific broadcasting stations and commentators are shown in the tables below.
| Country | Broadcaster | Channel(s) | Commentator(s) | Ref(s) |
|---|---|---|---|---|
| UCTV | Canal 13[a] | [29][30] | ||
| NHK | NHK[b] | Yutaka Ishida | [31] | |
| SER | Radio Barcelona | [32] | ||
| Radio Girona | [33] | |||
| Radio Huesca | [34] | |||
| Radio San Sebastián | [35] | |||
| Radio Zaragoza | [36] | |||
| WNJU-TV[c] | [37] | |||
| JRT | TV Beograd 1, TV Zagreb 1 | [38][39] | ||
| TV Koper-Capodistria | [40] | |||
| TV Ljubljana 1 | [39] | |||
Incidents and controversies
Controversy

The decision made by the festival's song selection commission to allow only nine artists to submit a second song was the result of controversy in the lead-up to the event. During a press conference on 4 February, one of the commission members Roberto Moroni explained the decision: "Regarding Gianni Morandi's song—the committee's opinion was negative. However, the opinion on the singer's performance wasn't negative, hence the decision to grant the possibility of an appeal. For Orietta Berti, however, the negative opinion on the song was followed by a negative opinion on her performance".[15] Reports from the commission meetings, made public on 11 February, clarify the commission held a vote to determine which artists received a second submission request.[24][41]
Berti's record company Phonogram Inc. filed a legal request to invalidate the work of the festival's commission and suspend the event. The request claimed irregularities in the application of the rules during the song selection process—primarily with an article of the regulations authorizing the commission to allow extended deadlines for artists to submit songs replacing ones that were rejected "for proven and justified artistic reasons". The request claimed other rules were violated, such as the rule prohibiting commission members from having ties to the pop music industry, of which they claimed commission members Gino Peguri and Benedetto Ghiglia had.[42] Gian Piero Simontacchi, president of the record label Società italiana fonografica (SIF) on behalf of the artist Piero Focaccia, who's submission was placed on the list of reserves, also filed a legal request to suspend the festival due to irregularities by both the commission and Sanremo's municipal council.[23][43] Other requests against the municipality were filed by the Libera associazione cantanti e orchestrali italiani di musica leggera (LACOIM) and the artist Rosalino.[44] On 18 February, all requests were rejected by the magistrate of the Sanremo court.[44][45]
On 5 February, the Sanremo city councillor Danilo Bregliano resigned from the executive committee in charge of organising the festival due to alleged illicit pressure influencing its management, also claiming the festival was "dirtier than others".[16][24] The mayor of Sanremo, Piero Parise, accused Bregliano of defamation and filed a court complaint against the councillor.[24]

On 21 February, the Confederazione italiana sindacati artisti dello spettacolo (CISAS) called a national strike of pop music singers, ensembles and conductors in protest of the festival, with the aim to postpone the event due to alleged violations of the festival's regulations during its organisation, as well as the choice to invite French conductor Frank Pourcel to the event rather than a conductor of Italian origin.[46] On 23 February, twelve artists competing in the festival signed a declaration of solidarity with the unions' decision, although rehearsals commenced as usual. Two artists, Milva and Donatello, revoked their signatures after the declaration failed to gain support from all competing artists. Later that day, a meeting between representatives of the municipality of Sanremo and CISAS took place, in which an agreement was reached to work with RAI to secure the production of a television special featuring Italian artists and conductors. A press release following the meeting then confirmed CISAS would suspend the strike.[47][48]
Notes
References
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22:25 Primera Parte Festival de San Remo
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22:20 2° Parte del Festival de San Remo
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