Sertanejo people

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Sertanejo people
Povo Sertanejo
Sertanejo men participating in a traditional vaquejada, 2022
Total population
c. 25-30 million (2022)
Regions with significant populations
Brazil
Languages
Portuguese, Central Northeastern dialect
Religion
Predominantly Roman Catholic
Related ethnic groups
Portuguese, Galicians, Sephardic Jews, Indigenous Brazilians, Bantus, Yorubas, Berbers

The Sertanejos (natively: [sɛɦtɐ̃ˈneʒu(s)]) are an ethnocultural group distributed across the northeastern Brazilian states of Bahia, Sergipe, Alagoas, Pernambuco, Paraíba, Rio Grande do Norte, Ceará and Piauí, especially in the Sertão and Agreste sub-regions of the Caatinga. Their population is estimated to be roughly 25 to 30 million people.[1][2][3][4]

Area inhabited by the Sertanejo people (red) over a map of northeastern Brazil.

The emergence of the Sertanejos dates back to the 16th century in Bahia with the vaqueiros, driven by the advancement of livestock farming towards the interior.[5][6][7] The Sertanejo people were formed mainly by the admixture between Portuguese and indigenous peoples, with the participation of mostly free and escaped black people.[8][9]

Etymology

Sertanejo men, 2007

The term Sertanejo derives from the Portuguese word "sertão", meaning hinterland.[10][11] During colonial times, sertão was used as a generic term to refer to all territories in the Americas that were not in the coast, as a result, regions of Brazil other than the northeast also adopted the word "sertanejo" to refer to things such as the musical styles and way of speaking of people from the countryside, originating the names for the "sertanejo music" of São Paulo and the "sertanejo dialect" of center-western Brazil, both of which are unrelated to the Sertanejo people. During the 19th and 20th century the use of the term "sertão" as a synonym for all lands considered isolated fell in disuse, as the term became more and more associated specifically with the sertão sub-region of northeastern Brazil.[12]

History

Origin

Sertanejos in the caatinga, state of Bahia, engraving from the 1810s.

Cattle were introduced into the Zona da Mata of Northeastern Brazil during the administration of Tomé de Sousa (1549–1553) and were initially directly linked to the sugar cycle, as these animals served as animal traction for the sugarcane fields and as food.[13][14] Over the decades, the cattle herds multiplied and caused disruption to the sugarcane plantations. This factor, combined with the Dutch invasions of Northeast Brazil, in which many sugar mill pastures were destroyed and many opponents of Dutch rule had to take refuge in the interior, and the social rigidity of the sugar cycle, which required only a few free workers, caused whites, mamelucos, mulattos and blacks from the coastal areas of Bahia and Pernambuco to migrate and establish in the Caatinga, along with the cattle, as vaqueiros (cowboys) and assistants.[15][16]

The colonization of the semi-arid of Northeastern Brazil occurred between the 16th and 18th centuries and followed the course of its rivers, such as the São Francisco, Parnaíba, Itapicuru, Vaza-Barris, Apodi, Piranhas-Açu, Jaguaribe, Acaraú and Gurgueia, on whose banks many cattle ranches were formed. The vaqueiros and helpers came into conflict with the indigenous people, although there was continuous admixture with the indigenous people in the Caatingas and Amerindians became cowboys.[9][17][18][19][20][21]

Originally, there were two large latifundia that dominated the Sertão: Casa da Torre ("House of the Tower"), owned by the Garcia d'Ávila family, and Casa da Ponte ("House of the Bridge"), owned by the Guedes de Brito family. These latifundia were divided into smaller estates, which were rented to the vaqueiros.[22]

Expansion into the semiarid

Cattle farming in the Caatinga was an activity that required little labor, which was predominantly free labor, although some regions, such as Piauí, used enslaved African labor on a large scale. The cattle were raised freely and horses were also bred to help the cowboys move around.[9][20] As the Sertanejos advanced into drier and rockier parts of the Caatinga, the herding of cattle became more difficult due to its water-intensive nature, as a result, animals such as sheep and goats were introduced. Today, the northeast is the leading region in both production and consumption of goat cheese, milk and meat in Brazil.[23][24]

Life for the Sertanejos was difficult, largely due to the droughts.[25] There was only an abundance of milk and meat, and they used curdled milk and cheese only for their own consumption. As opposed to the more centralized and unequal land distribution of the coast, they owned small plots of land where, during the rainy season, they planted crops such as corn, cassava and beans, a custom adopted from the local Jê-speaking indigenous population, who practiced farming. Cassava flour was mixed with meat to produce paçoca, a typical Sertanejo dish. Various everyday artifacts for the backwoodsmen were made from the cattle's leather, such as huts, canteens, backpacks, beds and clothing.[9][18][26]

In the late 17th century the indigenous population of the Cariri micro-region of Ceará began a war of resistance against the encroachment and settlement of Sertanejos in their territory. This war became known as the War of the Barbarians and lasted three decades, eventually, the Portuguese colonial forces managed to defeat the Jês and the war ended in an Amerindian defeat, resuming the process of Sertanejo settlement.[27][28]

The Bahia's upper backlands and most of Chapada Diamantina, located in the center and center-south of Bahia, had a different historical and social formation from the rest of the Sertão, as they were occupied in the 18th and 19th centuries by the extraction of precious stones, with the massive use of enslaved African labour. Despite this, these Sertanejos of Bahia have a strong rural identity.[29]

The Brazilian anthropologist Darcy Ribeiro compared the Sertanejo cowboys and farmers to the peasants in serfdom of feudal Europe, as both lived their entire lives, from birth, in the region of origin of their parents and grandparents, were tied to land they did not own, and had to pay high taxes to the landowners.[17]

Tipos de Feira de Santana, Bahia - typos do norte 1880 by Thereza Christina Maria

Contacts between the Sertão and the coast were sporadic and occurred only at certain times of the year, through fairs where cattle ranchers and traders gathered, many of which gave rise to population centers, embryos of current cities such as Feira de Santana (Bahia), Campina Grande (Paraíba), Pastos Bons (Maranhão), Serra Talhada (Pernambuco), and Oeiras (Piauí).[9]

Droughts and famine

The Brazilian semiarid is prone to drought and irregular rain patterns, especially in the sertão, where the raining season occurs between the months of January and may and depends on the untrustworthy summer thunderstorms.[30][25] In the agreste, however, the climate is more regular and the raining season occurs during the months of may to august, when cold air fronts coming from the southern atlantic hit the South American continent and form rain clouds, making drought events rarer and less severe.[31][32][33]


Due to these characteristics the Sertanejo heartland has suffered many events of famines driven by prolonged events of drought throughout its history, with a total of 84 abnormal incidents of prolonged dry periods occurring since the early 18th century, with possibly many more taking place during the 17th and 16th century, when record keeping by the Portuguese colonial authorities were scarce.[34]

Victims of the Grande Seca, Ceará, 1878.

In the years of 1877 and 1878 the development of the most powerful El Niño event in history led to the Grande Seca, a period of especially severe drought that affected the heartland of the northeastern region of Brazil.[35] The lack of seasonal rain caused the death of herd animals and made the cultivation of seasonal crops impossible, as a result, 400 to 500 thousand sertanejos died, or around 20 to 25% of their total population.[36][37]

This drought also caused the first event of mass domestic emigration by the sertanejo people, who would become the people with by far the greatest internal diaspora of all Brazilian ethnocultural groups, its estimated that around 200 thousand people emigrated from the sertão and agreste to less drought prone lands in the northeastern coast, amazon and southeastern Brazil.[38][39][40] During the 1890s to 1910s a great amount of artificial reservoirs, lakes and ponds were dug across the sertanejo lands, especially in Ceará and Rio Grande do Norte. As a result, the severity of the following droughts was lessened, avoiding a tragedy of the proportions of the Grande Seca.[41]

War and government opression

The few survivors of the Canudos massacre, 1897

During the late 19th and early 20th century the federal government of Brazil, sometimes with support of local oligarchs and political figures, led multiple massacres against lower class Sertanejos in the states of Bahia, Pernambuco, Ceará.[42][43] The largest and most famous of those massacres occurred during the War of Canudos, when peasants in the sertão of Bahia led by Catholic preacher Antônio Conselheiro built a communal and classless settlement of 30 thousand inhabitants in the middle of the semiarid, named "Belo Monte". Local landowners and government officials feared the influence this would have in the region and pressured the federal government to take military action against the peasants, claiming the locals were supporters of monarchism and planned to topple the recently established Brazilian First Republic. Between 1896 and 1897 the town was sieged by the Brazilian military in four different expeditions, resulting in the death of 20 thousand civilians.[44][45][46][43] Other massacres against Sertanejos in the period include Pau de Colher and the Caldeirão de Santa Cruz do Deserto.[47][48][49]

Cangaço

Social unrest, general poverty and the introduction via importation of cheaper and easily purchasable rifles, pistols and ammunition from the United States and United Kingdom in the 19th century caused the Sertanejo heartland to become plagued by banditry and crime between the 1840s and 1930s, peaking in the 1920s. This phenomenon became known as the cangaço, and the perpetrators as cangaceiros.[50][51] Cangaceiro groups would generally form from the creation of family bands, often starting due to feuds between families and cycles of revenge. People who took part in murders would become fugitives of the law, driving them to leave their home town and villages to avoid arrest and instead adopting a nomadic lifestyle, often robbing farms and livestock to sustain themselves. Eventually, other people from different families and places that were also trying to escape justice persecution would join other bands, forming major groups that could number dozens to hundreds of people, which made crackdown by the local police forces difficult.[52][53][54] Powerful landowners and colonels would often hire these bands to protect their lands or impose power over the local population or political opponents.[55]

Before the Vargas government, Brazilian police worked independently in each state of the country, being unable to freely move into a neighboring state without permission from the local government. The small size and horizontal-shaped territories of northeastern Brazilian states made this legal technicality easily exploitable by the cangaceiros, who could go from one state to another in the same day riding on horseback, making police chase hard.[56] In the 1930s changes in the law, intervention by the federal government and use of the army and other military forces instead of police brought the cangaço to its end, with the most famous and powerful cangaceiro band led by Lampião being killed during an ambush in Poço Redondo, Sergipe in the year of 1938.[50][57] Other major cangaceiros include Antônio Silvino, Zé Baiano, Corisco, Maria Bonita, Adolfo Meia-Noite, Sinhô Pereira and Anésia Cauaçu.[51]

Recent history

(From left to right) Musicians Lindu, Coroné, Luiz Gonzaga and Cobrinha, some of the most famous forró singers in Brazil. All of whom were Sertanejos who moved to the southeast and found success in music.[58]

Between the 1950s and 1980s, economic stagnation, unemployment, lack of land availability and social unrest drove millions of Sertanejos to emigrate from their homeland to the south and southeast of Brazil in search of job opportunities and a better life, specially in the states of São Paulo and Rio de Janeiro.[59][40] The majority of these immigrants found jobs in areas such as construction, agriculture and industry, helping with the erection of buildings, roads and bridges.[60]

Due to the assimilatory nature of most Brazilian cultures, same religion and same language, the vast majority of descendants of Sertanejos in these regions were assimilated and adopted the local cultures, dialects and customs. Its extremely difficult to estimate how many people that live outside of northeastern Brazil today are descended from those immigrants, but as of 2022, 10 million people born in the northeast reside in states outside of the region, of which most come from the semiarid.[61][62]

Dialect

Map of Brazilian Portuguese dialects.

Most Sertanejos are speakers of the Central Northeastern Portuguese dialect, with the remainder being speakers of Costa Norte and Baiano.[63][64] It is often perceived as a "harsh", "uneducated", "rude" and "manly" way of speaking by people from other regions of the country who did not grow up around its speakers.[65]

The Northeastern dialects are easily recognizable and often the target of discrimination by other Brazilians due to the perceived difficulty in understanding speakers of rural variants and the xenophobic stereotypes associated with northeasterners in the southeast of Brazil. Despite this, the way of speaking of the Sertanejos has found its way in poetry, music, comedy and other artistic fields, being one of the main cultural and self-identification aspects of the people.[66][63][65]

Sertanejos make use reverse addressing, a linguistic phenomenon where a parent or grandparent makes use of their own kinship title to address a younger relative; for example, a mother calling their child "mom" or "dad".[67][68]

Some discernible characteristics of the northeastern dialects include:

  • Transformation of the /ɲ/ sound into /ĩj̃/. (eg: /sẽˈɲɔɾɐ/ becomes /sĩˈj̃ɔɾɐ/)
  • Aversion of the /ʎ/ sound. (eg: /miʎu/ becomes /miw/, /piˈoʎu/ becomes /piˈoju/)
  • Elimination of /ɾ/ and /s/ sounds in the end of words. (eg: /pɛˈgɐɾ/ becomes /pɛˈga/)[69]
  • Use of "tu" instead of "você" (you).[70]
  • Transformation of the "ndo" of verbs in the gerund into "no". (/ˈvẽdu/ becomes /ˈvẽnu/)
  • Transformation of the /v/ sound into /h/ or /ɦ/. (eg: /ˈvɐ̃mus/ becomes /ˈhɐ̃mu/)
  • Transformation the "rem" ending of verbs in the subjunctive future into "ri". (eg: /pɛˈgɐɾẽj/ becomes /pɛˈgɐɾi/)
  • Plural articles become connected to the beginning of the next word. (eg: /ˈnɐs oˈɾeʎɐs/ becomes /nɐzuˈɾeɐ)
  • Transformation of the /s/ sound into /ʃ/ when it comes before the letters T and D. (eg: /ˈpɛsti/ becomes /ˈpɛʃti/)[71]
  • Elimination of the /j/ sound when it comes after a vowel. (eg: /ˈkejʒu/ becomes /ˈkeʒu/)

Society and culture

Sertanejos of varied ages and genders.

Sertanejos are socially conservative and religious; over two thirds of northeasterners opposed masturbation, oral sex, anal sex and homosexuality as of 2005; higher numbers than the national average of Brazil.[72] Changes in the social views around these themes during the 2010s and 2020s caused these numbers to decrease, but the region is still more conservative than the south and southeast of the country, especially in the sertão and rural areas.[73] Premarital sex is normal and accepted. Sertanejos value personality traits such as courage, manliness, extroversion, family honor, strength, resilience, hierarchical respect towards parents, stoicism and faith.[74]

Interracial marriage and relationships are normal and very socially accepted, with 34% of all marriages in northeastern Brazil being interracial.[75] Most Sertanejos are phenotypically pardo (60 to 70%), meaning they have a skin color that is too dark to be counted as white and too light to be considered black; however, light and dark skinned Sertanejos are also considerable in numbers (20 to 30% and 10 to 15% respectively). The majority of Sertanejo families are multiracial and diverse in appearance.[76][77]

Social organization

A Redenção de Cam, by Galician painter Modesto Brocos, 1895.

Sertanejo society is traditionally bilineal, meaning that inheritance of wealth and surname come from both the maternal and paternal sides, with equal distribution among the children independently of their gender.[78][79] Despite this, Sertanejo culture is generally regarded as more male-centered and masculine when compared to other Brazilian cultures.[80] Both nuclear an extended family households are common, people tend to marry rather early, averaging in the low 20s for women and mid 20s for men, but it is common for young men and women to live with their parents until their late 20s to early 30s.[81] Upon marriage, the couple begins to gather money through their own work and monetary help of the parents in order to build a house, the husband usually builds the house with his own labour and with the help of friends, although this practice is becoming less common today.[82]

The more equal land distribution of the sertão and agreste and the lack of industrialization during the 20th century resulted in a population that is spread across thousands of villages and small towns rather than the more centralized cities of the coast, this characteristic paired with the extremely high fertility rates of the region in the past century, when families with 10 or more children were common, caused the rates of endogamy to be rather high, with people often marrying second and third degree cousins, many times without awareness of their blood relation.[83][84][85][26][86] Cousin marriage is not frowned upon among Sertanejos.[87][88] Despite cousin marriage being historically prohibited by the Catholic church, the low population density in early colonial societies led them to loosen the marriage laws in Spanish and Portuguese Latin America.[89][90][91]

Livelihood

Sertanejos participating in a "pega de boi", Arcoverde, 2023.

Sertanejos nowadays are no longer mostly herders, improvement in water infrastructure, drought remediation, modern fertilizers, tractors and other technological advancements brought by the green revolution made agriculture way more viable in the region.[92][93] However, farming outside of the São Francisco valley is still only possible for one planting cycle per year, with two in the agreste during rainier La Niña years.[94] In the São Francisco valley a wide array of vegetables, fruits and water-intensive crops are cultivated, which has accelerated the process of desertification in the area due to the loss of native flora, in the rest of the Sertanejo heartland corn, cassava and beans are still the main crops.[95] Most Sertanejos follow a style of family agriculture rather than the large scale monocropping of the northeastern coast and center-west of Brazil.[96][97]

Typical Sertanejo village. Madalena, Ceará.

Since the 20th century areas such as industry, construction, services and commerce have grown a lot in the region.[98] Many Sertanejo men have jobs in the coastal capitals as construction workers during the weekdays and return to their homes in the semiarid during the weekend. The Sertanejos still maintain the old medieval Portuguese tradition of holding weekly outdoors markets, where food and clothing are sold by local tailors, artisans and family farmers. These markets follow a set cycle in which each day of the week a market is held in a specific village or town, sometimes multiple markets are held in a week in larger towns due to the high demand.[99][100]

Religion

The Sertanejos are overwhelmingly catholic.[101] Despite the introduction of American style evangelicalism and other Protestant denominations in Brazil starting in the late 20th century, the sertão remains as the most catholic subregion of the country, with 70 to 80% of the population being adept of Roman Catholicism according to the 2022 census, but with numbers that surpassed the 90% mark until the 1980s.[101][102][103] As a result, Catholicism is one of the founding cultural pillars of the Sertanejos, playing a role in their identity and moral values.[104] Afro-Brazilian religions such as umbanda and candomblé are also present and play a relevant role in cultural influence via syncretism.[105]

Penitents in Sergipe, 2004

The vast majority of people are baptized as babies, those who remain unbaptized are called "pagans" in more traditional areas of the countryside and are said to turn into werewolves during lent.[106][107] Divorce used to be frowned upon until the late 20th century, but is normal today. Despite this, marriages in the northeast of Brazil last an average of 13,3 years, the highest among the country's regions.[108] Sertanejos tend to follow the catholic lent traditions of avoiding red meat and instead consuming fish and seafood. One of the main lent customs among them is the march of the penitents, anonymous capirote-wearing religious people who walk at nighttime from the churches to cemeteries, where they conduct prayers for the dead and produce noise with crotalums; acts of self flagellation may also occur during those marches.[109][110] Another tradition is the occurrence of theatrical street reenactings of the last hours of Jesus and the crucifixion.[111]

Sertanejos have the practice of keeping patron saints and holding yearly novenas for them, every town, city and village has its own patron saint.[112] A common custom during these novenas is the occurrence of processions, large distance group walks.[113] Sertanejos have a tradition of erecting crucifixes in sections of roadsides where accidents have taken place and claimed the life of people.[114] Open casket funerals are the norm and children are allowed and encouraged to take a last look at the face of the dead family member, the vast majority of Sertanejos are buried rather than cremated. Asking your parents and older relatives for blessings is a common way of greeting in their culture.[115]

Festivities

Bacamarteiros in Pernambuco, 2011

São João is the most popular Sertanejo festivity, it has origins in the medieval European festivities to Saint John the Evangelist. São João takes place during the month of June and coincides with planting season in the agreste and harvest season in the sertão. Traditional customs of the festivity include quadrilhas (organized group of dancers), forró and baião music, peanut and corn based dishes and sweets, use of explosives, bunting decoration, and bonfires.[116][117] Another winter custom of the Sertanejos is the practice of shooting with a bacamarte (blunderbuss).[118]

Vaquejada in the interior of Piauí

The vaquejada is a cultural expression of the Sertanejo people that had roots in the early 17th century and the practice of cattle herding. The original vaquejada is a sport and festifity in which cowboys on horseback pursue a bull with the objective of knocking it over.[119] In the last 15 years animal rights movements pressure on local governments and changes in the societal views around treatment of livestock animals for entertainment have made the original style of vaquejada rarer, but they still occur in deeper areas of the countryside.[120] Today, a form of vaquejada that doesn't include bulls or mistreatment of animals is more common. This version of vaquejada consists of music shows, alcohol consumption and riding horses in urban areas and villages for leisure, in large vaquejadas hundreds to thousands of horses can be present in a settlement.

Music and literature

The main music genres created by the Sertanejo people are the forró, xaxado, baião and pé de serra, which are also dance styles.[117] The most famous musician Sertanejo musician was Luiz Gonzaga, popularly known in Brazil as the "king" of baião.[121] Another musical cultural manifestation of the Sertanejos is the aboiar, a type of traditional cattle call that was later adapted to be used as a form of telling stories and singing poetry.[122] The traditional instruments used by the Sertanejos are accordions, triangles and the pífano flute.[123] The main manifestation of Sertanejo literature is cordel literature.[124]

Cuisine

Bahia's sertanejo dishes

The most popular Sertanejo food is the cuscuz nordestino, a staple dish created by the adaptation of the original maghrebi couscous to the crops of the new world couscous was introduced to Brazil by the Portuguese, who themselves were introduced to the dish during the berber-Arab rule of Iberia under Al-Andalus. Differently from the original, cuscuz uses corn flakes rather than wheat, and is often drenched in milk and accompanied by beef, eggs or fried minas cheese.[125] Among the meats, Sertanejos make use of carne seca, a type of cow meat prepared and seasoned in a traditional manner and dried under the direct sunlight in order to slow down the process of rotting. Other savory Sertanejo dishes include boiled cassava (accompanied by meat and butter), lamb or goat meat, green and tropeiro beans, tapioca, baião de dois (mix of rice, beans and carne de sol), tripa (cow intestines), rolinha (a type of wild bird) buchada de bode (goat organs boiled inside an intestine), mocotó (stewed cow feet) and sarapatel (boiled pig organs and blood).[126][127]

Sertanejo sweets are mostly peanut or corn based and have a very sugary taste, including paçoca, cocada, pé de moleque, bolo de rolo, mungunzá, bolo de macaxeira, bolo de milho, bolo de leite, doce de caju, tapioca doce, pamonha and canjica.[128]

Clothing

Man in full traditional Sertanejo menswear. Bahia, 2013

Traditional Sertanejo clothing for men includes long pants, hats, boots and shirts made of cow leather or deer skin; these clothes had the practical use of protecting the wearer from the spiky and harsh flora of the caatinga.[129] These are sometimes accompanied by decorations of silver-colored four petaled flowers and eight points stars, both of which come from traditional Berber and Iberian patterns.[130] More formal vestments for men in occasions such as church attendance and festivities were long pants and shirts made from breathy and light fabrics and white or chesed color, as these characteristics made them comfortable for the hot climate of the region. Women wore long dresses. Today these traditional clothes have mostly fallen out of use, with the exception of leather hats and chesed shirts sometimes worn by older men in everyday contexts. Instead, Sertanejos today use western style pieces, and the old vestments are only used during specific dance events in São João.

Genetics

Sertanejos of mixed ancestral background participating in a traditional reisado, 2004

The Sertanejos are overwhelmingly of mixed ancestral background, with varying amounts of European, African, and indigenous ancestry.[131] The European part of their ancestry is mostly Portuguese and Galician, with smaller amounts of Sephardic Jewish, Spanish and Basque; the indigenous comes from dozens of local and Tupi speaking peoples and the African from Bantu and Niger-Congo peoples that lived in Angola, Congo, Nigeria, Cameroon, Ghana and Benin during the times of the transatlantic slave trade, with lower amounts of ancestry from other nations in Western and Southeastern Africa, as well as the Maghreb.[132][133][134][135]

Y DNA and mtDNA

A Y-chromosome study by Schaan et al. (2020) tested 280 individuals from all states of northeastern Brazil for paternal lineages. Haplogroup R-M207 was the most common, being present in 56% of the participants, followed by haplogroups FJ-M213 at 23% and E-P170 at 15%.[136] Another study from 2009 tested 247 men from Alagoas and found the most common haplogroups to be R1b1b2-M269 at 55%, J2-M172 at 7%, J-M304 at 6% and E1b1b1a-M78 at 5%.[137] Overall, the paternal lineages among Sertanejos of northeastern Brazil are overwhelmingly of European origin, while African and Indigenous ones are in the single digits.[138][139]

Unlike the paternal DNA, the maternal lineages of Sertanejos tends to be more distributed among the three pillar ancestral populations that formed them. A mtDNA study fof 767 individuals found the maternal lineages in northeastern Brazil to be of mostly amerindian origin, at 43%, followed by African at 37% and European at 16%.[132]

Autosomal DNA

Sertanejo siblings, Pernambuco, 2009.

The Sertanejos are part of a wide genetic cluster that spans from close to the Bantu and West African cluster all the way to the Eurasian ones, such as the Berber, Middle Eastern, European and Amerindian clusters, but rarely overlapping with any of them. This large tri-racial genetic cluster also includes populations such as the Puerto Ricans, Cubans, Colombians, Venezuelans, White Brazilians, Black Brazilians, Pardo Brazilians, Dominicans Ecuadorians, Panamanians and a portion of the individuals from Mexico and Central America.[140][141][142] A 2019 study analyzed the autosomal ancestry of Brazilians from the Northeastern region of the country as being 55% European, 29% African and 16% Amerindian.[143] Another study 2017 looked into the results of 2010 participants who lived specifically in the sertão subregion and found their average autosomal ancestry to be 57% European, 23% African and 20% Amerindian.[144] The African ancestry is lower in the semiarid than in the coast, this happens because historically, the drier interior was unviable for the planting of sugar-cane, and the climate of the area only allowed one planting cycle per year, even for drought resistant crops. Use of slave labour in the sertão was not as profitable, resulting in a lower proportion of enslaved people and less African ancestry in the Sertanejos when compared to the populations from the eastern coast.[145][146][147]

Notable Sertanejos

Lula, 35th & 39th president of Brazil

See also

References

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