Thomas Archer

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Thomas Archer
Bornc.1668
Died(1743-05-23)23 May 1743
OccupationArchitect
BuildingsSt. Paul's, Deptford

St John's, Smith Square
St Philip's Cathedral
North Front & Cascade Chatsworth House
Heythrop Park

Garden pavilion Wrest Park

Thomas Archer (1668–1743) was an English Baroque architect. His buildings are important as the only ones by an English Baroque architect to show evidence of study of contemporary continental, namely Italian, architecture.[1] It is said that his work is somewhat overshadowed by that of his contemporaries,[2] who include Sir John Vanbrugh and Nicholas Hawksmoor.

Life

Archer spent his youth at Umberslade Hall in Tanworth-in-Arden in Warwickshire, the youngest son of Thomas Archer, a country gentleman, Parliamentary Colonel and Member of Parliament, and Ann Leigh, daughter of the London haberdasher, Richard Leigh.[3] The exact date of Archer's birth is unknown, but can be inferred from the two documentary sources that mention his age. One is an entry in the Oxford University register recording his matriculation at Trinity College on 12 June 1686, aged 17; the other, his epitaph, survives in the parish church of Hale, Hampshire. If these records are accurate, he must have been born between 12 June 1668 and 22 May 1669. Thomas is the only one of the Archer children not to have his birth recorded in the Tamworth-in-Arden parish register, which suggests he may have been born elsewhere.[4]

He attended Trinity College, Oxford, from which he matriculated on 12 June 1686.[5] After leaving university, he went on a Grand Tour, spending four years abroad, including in Italy and his subsequent architectural work was influenced by Bernini and Borromini.[6] His first wife Eleanor, who he married in 1701, died the following year and he later married Ann Chaplin, having no children from either of his marriages.[7] Archer was appointed groom porter in 1705,[8] a lucrative position that gave him the ability to license gambling premises and run his own tables when the gambling houses were closed,[7] and William Cavendish, 1st Duke of Devonshire, commissioned him to work on Chatsworth House.[2] Given Archer's status, his work is relatively rare, and it appears that he only designed when he desired to do so.[9] Archer purchased the manor of Hale,[10] and built Hale Park.[2] Archer was appointed comptroller of Newcastle customs in 1715, after which his architectural work appears to have reduced.[7][2] He died in London on 23 May 1743.[6]

Churches

Among Archer's churches is grade I listed St John Evangelist, Westminster,[11] suggestive of Hawksmoor's baroque influence.[12] When Archer asked Queen Anne how she wanted it to look, she apparently kicked over a stool and responded "like that!", with the resulting four towers resembling an upside down footstool,[13] and the building subsequently nicknamed 'Queen Anne's Footstool'. Oscar Wilde once described the building as "some petrified monster, frightful and gigantic, on its back with its legs in the air”.[14] The towers were influenced by Borromini’s Sant’Agnese.[13] The building is considered one of the most important examples of English Baroque architecture.[15] Designed and built between 1712 and 1730, grade I listed St Paul's, Deptford,[16] sweeping semi-circular porticos were not copied for a century until Smirke's magnificent church at St Mary's, Bryanston Square that dominated the street.[12] John Betjeman describes it as being "a pearl at the heart of Deptford",[17] and it is influenced by two Italian churches, with Borromini’s work on Sant'Agnese inspiring the interior, and the work of Pietro da Cortona at Santa Maria della Pace.[18] At St Philip's, Birmingham, now Birmingham Cathedral there was a strong sense of the Italianate Lombardic influences of High Baroque style of churches: ornate, high ceilings, with cupola and dome. External to St Philips is the roof balustrade quite unusual in English church architecture.[12] St John's and St Paul's were both built for the Commission for Building Fifty New Churches. John Summerson said these two buildings "represent the most advanced Baroque style ever attempted in England". According to the minutes of the Commissioners, Archer also "improved" Hawksmoor's designs for St Alfege's at Greenwich, although the nature of the improvements, or whether they were implemented, is unknown.[19]

At Hale, Hampshire, he remodelled St Mary's Church, which also contains his memorial, carved by Sir Henry Cheere to Archer's own design.[8][a]

Secular works

Archer's secular works included Roehampton House, Welford Park in Berkshire, and the Cascade House and the west front and broadly bowed pilastered north front at Chatsworth House. In 1709–11 Archer designed a Baroque garden pavilion for Henry Grey, 1st Duke of Kent at Wrest Park, Silsoe, Bedfordshire.[20] After 1712 Archer designed Hurstbourne Priors in Hampshire for John Wallop (later Earl of Portsmouth).

He was a founding governor of the Foundling Hospital in London in 1739, but was not involved in the construction of the resulting building, completed c.1750. The architect for that project was Theodore Jacobsen.

Documented works

Attributed works

Notes

  1. Brian L. Harris seems to disagree with this assessment. He believes in Guide to Churches and Cathedrals the carving was done by Peter Scheemakers (1692-1786)

References

  1. Oxford illustrated encyclopedia. Judge, Harry George., Toyne, Anthony. Oxford [England]: Oxford University Press. 1985–1993. p. 21. ISBN 0-19-869129-7. OCLC 11814265.{{cite book}}: CS1 maint: others (link)
  2. Beckett, Matthew (27 August 2013). "Thomas Archer: the unsung master of English Baroque, and the revival of Roehampton House". The Country Seat. Retrieved 5 June 2026.
  3. The Little London Directory of 1677: the oldest printed list of the merchants and bankers of London. Edited by John Camden Hotton, 1863. A reprint of A Collection of the Names of Merchants living in and about the City of London, 11 October 1677, under licence from Roger L'Estrange. Richard Leigh and his wife Mary had six children, of which Ann was the eldest. The family lived in the parish of St. Helen's Bishopgate. Ann married Thomas Archer, the architect's father in 1649 in the parish of St. Peter-le-Poor.
  4. Joseph Foster, Alumni Oxonienses: The Members of the University of Oxford, 1500–1714 (Oxford: James Parker & Co., 189 1). Marcus Whiffen, Thomas Archer, vol. 3 (London: Art and Technics, 1950). Marcus Whiffen, Thomas Archer, architect of the English baroque, [New ed.] ed. (Los Angeles: Hennessey & Ingalls, 1973).
  5. Thomas Archer Architect of the English Baroque, Marcus Whiffen, 1973, Art and Technics. p.10
  6. "Thomas Archer | Baroque, Palladian, Churches | Britannica". Encyclopedia Britannica. Archived from the original on 14 November 2025. Retrieved 5 June 2026.
  7. Gomme, Andor (23 September 2024). "Archer, Thomas (b. 1668/9, d. 1743)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/628. Retrieved 5 June 2026. (Subscription, Wikipedia Library access or UK public library membership required.)
  8. Leigh, Judith. "The Puzzle of St Mary's Church – Hale". Building Conservation.
  9. Mowl, Tim (1987). "Thomas Archer and the Hurstbourne Park Bee House". Architectural History. 30: 77–82. doi:10.2307/1568515. ISSN 0066-622X.
  10. "Parishes: Hale | British History Online". www.british-history.ac.uk. Retrieved 5 June 2026.
  11. Historic England. "St. John's Smith Square (Grade I) (1236250)". National Heritage List for England. Retrieved 6 June 2026.
  12. G.Cobb, The Old Churches of London (1942), p.96
  13. "History". Sinfonia Smith Square. Retrieved 6 June 2026.
  14. "Sinfonia Smith Square". programme.openhouse.org.uk. Retrieved 6 June 2026.
  15. Lowe, Tom (13 March 2026). "Green light for plan to refurbish Westminster's grade I-listed Smith Square Hall". Building. Retrieved 6 June 2026.
  16. Historic England. "Church of St Paul (Grade I) (1080003)". National Heritage List for England. Retrieved 6 June 2026.
  17. "S. Paul's, Deptford". www.achurchnearyou.com. Retrieved 6 June 2026.
  18. "Deptford St Paul | National Churches Trust". www.nationalchurchestrust.org. Retrieved 6 June 2026.
  19. Downes, Kerry (1987) [first published 1970]. Hawksmoor. World of Art. London: Thames and Hudson. pp. 110–11. Downes suggests the use of the giant order of pilasters around the church may have been Archer's idea.
  20. Historic England. "Archer Pavilion (Grade I) (1113807)". National Heritage List for England. Retrieved 5 June 2026.

Further reading